“Augmented Reality TV Buddha”/”AR.TV Buddha” remix by [dNASAb]

“A series of interactive, geospatial, location-based, Augmented Reality sculptures_ an innovative collaborative remix of Nam June Paik’s 1974 “TVBuddha” and The BASS Museum exhibition “Nam June Paik:The Miami Years””

AR_TVBuddha "An interactive, geospatial, location-based Augmented Reality project" — In the “AR_TVBuddha” by [dNASAb](2023), the iconic TV Buddha undergoes a transformative evolution,grappling with the contemporary paradox of enlightenment mediated through technology. The central question arises: Can true enlightenment be achieved with a screen as an intermediary, considering the pervasive presence of screens in our lives? This inquiry delves into the essence of self-awareness, as individuals navigate their existence through technological devices, pondering whether self-understanding is found in the reflections captured by selfies.

Rejecting passivity, the “AR_TVBuddha” rebels against motionless consumption. Extruding into a 4th dimension, it becomes a dynamic product of technological evolution, liberated from specified scales and immobility. This incarnation embraces a duplicitous, kinetic nature, even posing for selfies with viewers, morphing into a media star in an alternative format.

[dNASAb]’s connection to Nam June Paik. While on Residency

at the Experimental Television Center, Owego, NY (2006), he

created a temporary sculpture of fiber optics, reclaimed plastics,

A/V projections,etc. affixed to the “Wobulator,” Nam Jun Paik’s

pioneering video synthesizer. (pictured below)He also has been

fortunate to meet Nam June Paik, and be curated into a show of

his work in 2001, at The New York Center for Media Arts in Long

Island City,NYC. [dNASAb]is a preeminent American Video

Sculptor working in Miami who utilizes the toolsets of the “NOW”

in compelling new interactive storytelling formats.

temporary sculpture of fiber optics, reclaimed plastics,A/V projections,etc. affixed to the “Wobulator,” Nam Jun Paik’s pioneering video synthesizer. — *“Nam June Paik “Wobulator” Experimental Television Center” 2006 ,archival pigment print 25.5″ h x 40″ w ,edition of 7*

MAP of locations for AR_TVBuddha "An interactive, geospatial, location-based Augmented Reality project" — MAP of Locations of the AR_TVBuddha
for further information visit:
**https://dnasab.net/ar/**

Tips, Best Practices, and Troubleshooting for Augmented Reality Artworks

Device Compatibility:
- For optimal experience, use IOS devices or most new Android phones with a browser-based interface. Older devices may require a download of the Adobe App.
Loading Times:
- AR projects are typically under 40 MBs.
- Loading times vary from seconds to a couple of minutes based on connection speeds.
Geospatial AR Content:
- Scan buildings and recognizable public structures + sculptures, especially in natural environments and the projects on the beach.
- Be mindful that geospatial AR content relies on Google Earth data, so changes in surroundings may affect the experience.
Interactivity:
- Treat the experience as a participatory experiment; explore by walking around or through the artworks.
Recording:
- Upon launching the scene, find the video recording icon in the top right corner.
- Capture video with audio, video only, or stills to document your AR experience.
Awareness of Surroundings:
- The immersive nature of AR works may be disorienting; stay aware of real-world obstacles.
Sharing and Tagging:
- Share and tag your best captures, videos, selfies, and portraits.
- Unlock additional AR experiences, content, and personal downloads by participating.
- Top images from the Art Basel Miami Beach (ABMB 23′) event will be featured on a documentary page.
Acknowledgment:
- Thank you for taking the time to engage with these Augmented Reality artworks.
Contact Information:
- For questions, further information, comments, studio visits, or special projects, feel free to contact us.
- dnasab@gmail.com , http://www.instagram.com/dnasab , # 917.721.4437