Documentation of VIZCAYA LATE_ New Growth :: The Land is a Spectrum _ “Faux Ecologies / the Anthropocene gardens + Artificial reefs of the Nature-verse”

Documentation of VIZCAYA LATE_ New Growth :: The Land is a Spectrum _ "Faux Ecologies / the Anthropocene gardens + Artificial reefs of the Nature-verse"
Documentation of VIZCAYA LATE_ New Growth :: The Land is a Spectrum _ “Faux Ecologies / the Anthropocene gardens + Artificial reefs of the Nature-verse”

Documentation of VIZCAYA LATE_ New Growth :: The Land is a Spectrum _ "Faux Ecologies / the Anthropocene gardens + Artificial reefs of the Nature-verse"

Documentation of VIZCAYA LATE_ New Growth :: The Land is a Spectrum _ "Faux Ecologies / the Anthropocene gardens + Artificial reefs of the Nature-verse"

Documentation of VIZCAYA LATE_ New Growth :: The Land is a Spectrum _ "Faux Ecologies / the Anthropocene gardens + Artificial reefs of the Nature-verse"

Documentation of VIZCAYA LATE_ New Growth :: The Land is a Spectrum _ "Faux Ecologies / the Anthropocene gardens + Artificial reefs of the Nature-verse"

Documentation of VIZCAYA LATE_ New Growth :: The Land is a Spectrum _ "Faux Ecologies / the Anthropocene gardens + Artificial reefs of the Nature-verse"

Documentation of VIZCAYA LATE_ New Growth :: The Land is a Spectrum _ "Faux Ecologies / the Anthropocene gardens + Artificial reefs of the Nature-verse"

Artist [dNASAb] animated the transition from day to night during the golden hours of sunset at Vizcaya. The artist presented video sculptural interventions in the Main House/Grand Foyer of the Vizcaya Museum, as well as an augmentation of the magnificent Gardens via a “school” of free-hanging sculptural works reflecting in the tranquil water features of Vizcaya Museum and Gardens.
“…. works from an ongoing series titled “Faux Ecologies / the Anthropocene gardens + Artificial reefs of the Nature-verse” which are hyper-mediated sculptures of reclaimed materials inspired by the growth of natural ecosystems. The Vizcaya Museum provided the perfect platform to showcase my illuminated sculptures, which are not only visually stunning but also convey an important message about the need for conservation and preservation. I am particularly drawn to the dichotomy between the materials used in the Vizcaya estate and those found in the waste-gyre of hyper-consumption and planned obsolescence. By integrating my art into the estate and gardens, I created dialogue about raising awareness about the importance of conservation and sustainable living. My sculptures, made from reclaimed materials, such as marine debris, dead corals, sea-fans and sponges I find decaying on the beach were juxtaposed against the pristine beauty of the architecture and gardens; which were predominantly made with the calcified fossils of dead corals; creating a visually stunning contrast and synergy that surely sparked conversation. I believe that this collaboration resulted in a powerful and inspiring exhibition that engaged visitors and promoted a deeper understanding of the relationship between art, history, and the environment.”

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