“Dataclysmic 4″, 2011. 22” LED screen, Digital Media Player, LEDs, steel, silicon, plastic, fiber optics, 720P HD video. dimensions variable. Gallery installation.
NEW YORK – On Thursday, July 11th from 6 – 8PM, GRAHAM will host an opening reception for its summer exhibition, The Silver Shore.
Graham’s contemporary program began with American realism and over the years has shifted toward abstraction. The Silver Shore
is a thematically curated exhibition that pays homage to the core of
our contemporary program while integrating the diverse approaches and
new technologies that can be found in contemporary art today.
is a thematically curated exhibition that pays homage to the core of
our contemporary program while integrating the diverse approaches and
new technologies that can be found in contemporary art today.
Among
the participants are artists who have a history and association with
GRAHAM, artists established on the Lower East Side, and emerging
artists. From the passionate realism of Diane Andrews Hall‘s wave paintings to the conceptual abstraction of John Zinsser‘s
snaking rivulets of flat paint, the exhibition as a whole has the
lightness and playfulness of a summer retreat. A sound installation
using live data feeds to explore the tides by Adam Bach and Ellery Royston, a floating videoscape by [dNASAb], an interactive painting on digital canvas by globHammer, boundary pushing paintings by Ryan Michael Ford and Adam Parker Smith, and elegant sculptures by Afruz Amighi and Carolyn Salas are some of the diverse methods of expression brought to bear on a single theme.
the participants are artists who have a history and association with
GRAHAM, artists established on the Lower East Side, and emerging
artists. From the passionate realism of Diane Andrews Hall‘s wave paintings to the conceptual abstraction of John Zinsser‘s
snaking rivulets of flat paint, the exhibition as a whole has the
lightness and playfulness of a summer retreat. A sound installation
using live data feeds to explore the tides by Adam Bach and Ellery Royston, a floating videoscape by [dNASAb], an interactive painting on digital canvas by globHammer, boundary pushing paintings by Ryan Michael Ford and Adam Parker Smith, and elegant sculptures by Afruz Amighi and Carolyn Salas are some of the diverse methods of expression brought to bear on a single theme.
Participating artists:
Afruz
Amighi, Mary Armstrong, Adam Bach, Brent Birnbaum, [dNASAb],
Stoney Conley, Ryan Michael Ford, globHammer, Diane Andrews Hall,
Stephen Hannock, Jim Lee, Shelly Malkin, Mary McDonnell, Bruce Monteith,
Andy Moses, Anna Poor, Ellery Royston, Carolyn Salas, Eric Shaw, Adam
Parker Smith, Kimber Smith, Daniel John Weiner, John Zinsser
Amighi, Mary Armstrong, Adam Bach, Brent Birnbaum, [dNASAb],
Stoney Conley, Ryan Michael Ford, globHammer, Diane Andrews Hall,
Stephen Hannock, Jim Lee, Shelly Malkin, Mary McDonnell, Bruce Monteith,
Andy Moses, Anna Poor, Ellery Royston, Carolyn Salas, Eric Shaw, Adam
Parker Smith, Kimber Smith, Daniel John Weiner, John Zinsser
Curated by Craig Poor Monteith
For additional information or to request publication quality images, please contact info@graham1857.com
![[dNASAb] + De La Haba in Durrës Biennale, “Ai The Hybrid Future” 2024](https://dnasab.net/wp-content/uploads/Baner-eng-367x252.png)
![BLOOMBERG’S NEWEST ART INSTALLATION: THE AQUASCAPING PROJECT by [dNASAb]](https://dnasab.net/wp-content/uploads/BloombergsNewestArtInstallation_USE-367x252.jpg)
